AW - Felicita Consantino

My character for the OTC . C:

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[Information subject to change depending on my mind and the mind of my partner.]

Name: Felicita Consantino
Age: 20
Gender: Feminine for the most part
Team: Pyrocumulus

Personality: Felicita is generally quick-witted and cheerful, with bucketloads of enthusiasm for the things she loves. She throws herself into things and will never do a job halfway. She wasn't precisely sheltered growing up, but is quite idealistic and somewhat naive; she usually tries to see the good in people, and is very loyal and trustworthy. She has a very strong sense of right and wrong, and is not easily swayed wrt this. She is argumentative and is very vocal about things she believes in, but in tense situations will keep everyone together, if need be.

Background: She learned performance dancesport (Latin and ballroom) and later weapons dancing from her parents, who are both dance instructors. She took a few lessons on wielding bladed weapons, and found that while she had reasonable talent with most styles, she was very partial to polearms; thus she was referred to an associate who specialised in such. She maintained her basic dance skills while training in armed combat, and went on to win several competitions. She received an international scholarship for a university in Toronto and currently lives in a town near Gatto, studying Linguistics. She met the rest of her team on campus, and they ended up renting an apartment together.

Combat: She is a good fighter, but as she developed her skills in controlled tournaments, she fights more to look good than to survive. She's going to have to learn how to fight dirty in a hurry, though she would still far prefer to incapitate than do real damage.

Her preferred weapon is an electronic polearm with three interchangeable blades: a sort of Lochaber axe, a halberd, and a glaive. She carries a sidearm and a small blade for self-defense but refuses to kill with guns; she's afraid that firearms are too impersonal, and she might lose herself if she was given any chance to escape the gravity of her deeds (etc, etc, more poetic morality here, it's less pretentious in context, I promise).